solo double bass / mood-based Kontakt instrument
MONOLITH
creeping + powerful double bass
Low-end gravity that stays alive underneath the music
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first look
A first look at MONOLITH.
A short preview of the sounds, interface and idea behind the instrument.
why we made it
We went looking for the double bass’s less predictable sideAt Hollywood Scoring in Los Angeles, we spent a day with session musician Jules Levy exploring the double bass beyond straightforward playing techniques, focusing on sounds that shifted, scraped and fluctuated as they sustained.
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about
Bass sounds that carry tension, not just weight
listen
Hear it in context.
interface
Take the character that’s already there and shape it to your track.
Choose from five performances, balance the Close and Far mics, then shape the envelope, space, tuning and level. Bring the movement closer when you want to more detail, or push it back until it becomes an ominous presence underneath the track.
story
Why we made it.
At Hollywood Scoring in Los Angeles, we spent a day with session musician Jules Levy exploring the double bass beyond straightforward playing techniques, focusing on sounds that shifted, scraped and fluctuated as they sustained.
read the full story
behind the scenes
behind the scenes
specs
Check the essentials.
waves, wave tones, static, scraping and unstable
requires the full version, not Kontakt Player
~1 GB
installed through the free Pulse downloader
full system requirements +
reviews
What composers say.
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